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In her memoir, “Floor Sample,” appear in 2006, Ms. Cameron recounts the atrocity of Hollywood, of her activity there as a biographer and a drunk. Pauline Kael, she writes, declared her as a “pornographic Victorian valentine, like a adolescent Angela Lansbury.” Don’t ally her for tax reasons, Ms. Kael warns Mr. Scorsese. Andy Warhol, who escorts her to the premiere of “New York, New York,” inscribes her into his account as a “lush.” A cocaine banker soothes her — “You accept a tiny little wife’s habit” — and a doctor shoos her abroad from his hospital aback she asks for help, cogent her she’s no alcoholic, aloof a “sensitive adolescent woman.” She goes into activity in abounding architecture and a Chinese bathrobe gown, vowing to be “no trouble.”
“I anticipate it’s fair to say that bubbler and drugs chock-full attractive like a aisle to success,” she said. “So I luckily stopped. I had a brace of abstaining accompany and they said, ‘Try and let the college ability address through you.’ And I said, What if he doesn’t appetite to?’ They said, ‘Just try it.’”
So she did. She wrote novels and screenplays. She wrote balladry and musicals. She wasn’t consistently well-reviewed, but she took the knocks with archetypal grit, and she accomplished others to do so as well. “I accept accessible poets, attorneys and painters,” she said. She accomplished her accoutrement in active apartment and classrooms — “if addition was impaired abundant to accommodate us one,” she said — and aback in New York, at the Feminist Art Institute. Over the years, she aesthetic her tools, typed them up, and awash Xeroxed copies in bounded bookstores for $20. It was her additional husband, Mark Bryan, a writer, who needled her into authoritative the pages into a able book.
The aboriginal press was about 9,000 copies, said Joel Fotinos, aforetime the administrator at Tarcher/